Showing posts with label Legendary. Show all posts
Showing posts with label Legendary. Show all posts

Tuesday, January 27, 2015

Toho to make Godzilla 2016


With the success of Gareth Edwards Godzilla, it would only be appropriate that Toho studios once again revive the king in an all new movie produced by the original studio that created the monster. 10 long years passed between Godzilla: Final Wars and Godzilla 2014, and the wait couldn't have paid off more than with the rebirth of the King. 

"This is very good timing after the success of the American version this year: if not now, then when? The licensing contract we have with Legendary places no restrictions on us making domestic versions," a Toho staffer said.

While there are no details pertaining to the movie the announcement, it is just enough to get me excited about Toho's Godzilla in 2016 and enough to tide me over for Legendary Pictures Godzilla in 2017.

Friday, June 6, 2014

Review: Godzilla Awakening

Godzilla: Awakening

Right before Godzilla 2014 hit theatres, Legendary released the Godzilla: Awakening comic. This would act as the prequel to the movie and give the readers a little more history on the reinvention of Godzilla for a new era. Produced by Legendary Pictures and written by Max Borenstein (the writer of the Godzilla 2014 script), Godzilla: Awakening gives the reader something to think about before seeing the legend reborn.

The comic takes place decades before the events that unfold in Godzilla 2014. The comic opens in Tokyo, 1980, where Serizawa's father begins to tell his secrets before he passes. Hirshima is bombed in 1945 and Serizawa senior is desperately searching for his old home and new born son (who would later become Serizawa in Gareth's Godzilla). Somehow his son survived the bombing and while removing him from the rubble a flying monster, Shinomura, appears before Serizawa Sr. So begins his fall into the mysterious world of mutants, monsters, and Godzilla.

Essentially the comic serves as an introduction to the world of Godzilla. Borenstein writes around the scientist Serizawa, which any fan knows, pays homage to the original Godzilla in 1954. Serizawa was the name of the scientist who created the Oxygen Destroyer which led to the death of the original Godzilla. In Awakening, Serizawa now has a mission: to protect his only son from the dangers of man and now the dangers of monsters. The vast majority of the comic is spent on Serizawa tracking down the creature, known as Shinomura. This creature is from the same time as Godzilla and is actually a super-organiasm, or a creature made from millions of microscopic organisms to create the appearance of one. Shinomura very much echoes Godzilla final foe from the 90's, Destoroyah.

We also come to learn that MUTO's have been around and documented by Monarch for sometime. We even get a glimpse at some of the other colossal creatures that shared the Earth with Godzilla long ago. While this all adds depth to the Godzilla universe, it really only acts as a stepping stone into the movie. The story is very basic and doesn't really break new ground. That is not necessarily a bad thing. When reinventing a series, you must compliment the old with the new. Awakening does just that, immersing the reader in a new world with new monsters with the original Godzilla.

The artwork is beautiful but can get difficult to decipher at times. Being that it is illustrated by three different artists, it is sometimes hard to follow the story because characters change appearance and color palettes are different. The battles between Godzilla and Shinomura are really just glimpses, with the action merely hinted at. While this does seem to set-up Gareth's Godzilla fairly well, it doesn't lend itself to the comic format. We want to see full color drawings of the new Godzilla and this new enemy he must face. The cover is probably my favorite artwork in the entire comic.

While Godzilla did have a short-lived Marvel series, Legendary has produced a quality comic to supplement this new universe Godzilla will inhabit. The story is good while basic, the artwork is superb when it works, and the brief history is all we need to feel Godzilla belongs once again in the modern world.



Friday, May 16, 2014

A reason to ROAR! Godzilla Review

In an age where most kids don't know who Godzilla is and most people associate the films with bad dubbing, guys in suits, and Saturday mornings, Godzilla 2014 has given us a reason to cheer for Godzilla again. In the capable hands of Gareth Edwards, Godzilla has risen from the ocean once again to stomp our favorite cities in an all out kaiju battle. But Edwards brings a human element to the story, one that works in tandem with Godzilla and brings the audience into a world where giant monsters roam.



*****Warning Spoilers*****

I will not go into a full synopsis of the movie as I want you to see it and judge for yourself. I would have to say the opening credits are entertaining and informative, explaining the origin of Godzilla and tying it to the original film. From there we move to the introduction of the main protagonists, Dr. Serizawa and the Brody family. Any fan of the series will recognize the name. Dr. Serizawa is a sympathetic character, working for Monarch and hunting Godzilla and discovering other MUTO's, or Mutated Unidentified Terrestrial Objects. His motivation is kept secret from us until a key moment when the heart of the original Godzilla movie comes through and we see that Edwards wants to pay homage to the reason Godzilla was created all those years ago. That is where Godzilla 1998 went wrong, never paying back the original movie it came from. Devlin created a new Godzilla, Edwards re-imaged the original. The Brody family is our window into this new world where giant monsters exist. More than a plot device, but still secondary to the title character himself. Edwards said he saw Spielberg as an inspiration and it shines brightly in the Brody's, an average family with problems and issues, but caught in the events unfolding before them. Think War of the Worlds, Close Encounters of the Third Kind, and E.T. Character development is key and what Edwards does is create characters we care about, have believable back stories, and become attached to, suffering with them during their downfalls and silently cheering when they succeed.

I also would like to congratulate Edwards on making this movie respectable. He does not try to out do other Godzilla movies, blow-up every scene with special effects, or even include unnecessary violence. What he has done is create a Godzilla adults, kids, and everyone in-between can enjoy. Godzilla causes damage, but unintentionally. People die. This is no exception in the new vision, but there are no gruesome deaths, no onscreen horrors, or objectionable material. No one uses profanity in the movie. No sex scenes or alcohol, illegal substances, or the like. Godzilla has been good, clean fun and still remains good, clean fun. The Showa era especially was designed for children, even Little Godzilla was created to market a kids TV show starring the bubbly little monster.

Plot was always a struggle in previous Godzilla movies and many used what would become cliche Godzilla plots. Godzilla 2014 takes one of these plots, fleshes it out, and what would be familiar is now new and unique. Godzilla is a titan, and inevitably, death goes where he goes. Both protagonists are looking for answer to questions they cannot answer and were the results of something much larger than them and directly affects family. I am trying to be vague so you see the movie. Why was the concept of plot a struggle in the previous generations of the series? Well, because of the title character. The movies is called Godzilla and he is the star. The humans were always just an entry point for the viewer so we could step into the world of Godzilla. Not so here, humans and Godzilla get plenty of screen time although I wish some of the fight scenes were not merely teases.

What we really want to see is Godzilla and his introduction into the movie is epic. Godzilla is bigger, badder, and familiar all at once. What Godzilla 1998 failed to do was bring us the character we all know and love. The character who in my childhood was a hero, someone we rooted for to win, who fought to the bitter end, never gave up, and left you cheering. There were many moments in the movie I was audibly cheering in the audience as Godzilla rose from the ocean and fought the MUTO's or used his famous radioactive beam weapon.Yes! It's back and bolder than ever. Godzilla, however, is treated more like an animal in Edwards version and I applaud him and give him a standing ovation for his interpretation of Godzilla, a force of nature. Godzilla fights with tooth, claw, and tail, and has some pretty spectacular scenes with the MUTO's. Even the MUTO creature design was different and fascinating and, most importantly, were believable. There is one things people must remember when watching a Godzilla movie, and that simple fact is, you are watching a Godzilla movie. You must suspend disbelief in order to enjoy, engage, and relish in the epic awesomeness that is giant monsters fighting. Edwards stayed true to the series and brought us the familiar in a novel way, much like Abrams did for Star Trek and Avatar has done for the stranger in the strange land theme.

But Godzilla is more than that in Edwards vision. He is a god, a creature who will correct the balance of Earth from unstoppable forces. As I've said before, Godzilla is just that, a force. He is neither good nor bad, wicked or saintly, but protecting the Earth he lives on and his territory. I would say though this Godzilla definitely leans towards good, which is fine by me. He has become the hero I remember from childhood and a monster for all ages. 


Monday, May 12, 2014

Destroying the Destroyer

We all have our weaknesses. Superman has kryptonite. Kermit has Miss Piggy. Achilles had his heel. Well, the Big-G also has his weakness. The only weapon capable of killing him twice.


Wednesday, May 7, 2014

Happy Birthday Ishiro Honda!


Ishiro Honda
Born May 7th, 1911 - Died February 28th, 1993

Ishiro Honda would have been 103 and if he were alive today would have seen the rebirth of the movie character he made famous the world over. Honda directed and co-wrote the screenplay for the most famous of all monster movies, Godzilla, and would later direct many more including the Mysterians, Mothra, and the first appearance of King Ghidorah. These monster movies would make him famous overseas and make him the father of all kaiju and monster movies from 1954 on.

To see a complete listing of his life work please visit the link below:



Tuesday, May 6, 2014

Like no roar before!

Anywhere I here this roar, I get excited. Godzilla has the most recognizable sound of any movie character in the world (besides Kermits "Hi-ho everyone" and Mickey's infectious laugh). However, Godzilla's roar does not come from a mix of other animal sounds or anything living.

Godzilla's roar was created by Akira Ifukube (the composer of 22 Godzilla films and creator of Godzilla's theme which will NOT be featured in the new 2014 movie). Ifukube wanted the sound to be natural and organic but not just the recreation of any living animal. The roar was created by rubbing a leather glove across a contrabass and applying an echo to that recording. When the roar was created there was only one contrabass in all of Japan and Ifukube had no prior experience with the instrument.

Below is the original Godzilla's roar:



Now here is the Heisei Godzilla roar:


Finally, Godzilla 2014's roar:




They all have their own unique style and sound to match the era in which that Godzilla exists. Gareth Edwards says they stayed true to the original roar. Watch the video below to find out more:


Saturday, May 3, 2014

Godzilla is...

All of the Above


Selfin Dragon

1. A giant radioactive iguana.
A member of the Iguanidae family (Tatopoulos said the design is based off of his pet Selfin Dragon), Godzilla of 1998 (hereby referred to as Zilla) would be born from the blast of radiation from nuclear testing. This would be the only similarity Zilla would share with the origins of Classic Godzilla.


Nuclear blast from Hiroshima

2. An allegory for the bomb.
The original Godzilla emerged as a representation of the horrors that the Japanese people experienced at the bombing of Hiroshima and Nagasaki in 1945. Godzilla would become a symbol of the bomb, seeing as how the Japanese never tested nuclear weapons, but were only the victims of an unstoppable force. Godzilla became that unstoppable force, destroying Tokyo overnight, and leveling the city like the bomb had done to Hiroshima and Nagasaki. The fear of the invisible killer, radiation, was real to the Japanese audience and Godzilla presented the opportunity to make that fear visible. He was given a radioactive beam, a character trait that would become iconic with Godzilla.

Godzillasaurus
3. A Godzillasaurus
In order to revive the series and give Godzilla a new look, the writers would go back and change Godzilla's origin. Godzilla vs. King Ghidorah (1991) would have Time-travelers from the future come back and move the 1944 Godzillasaurus on Lagos Island to the Bearing Sea, therefore avoiding creating the original Godzilla at all. However, the Godzillasaurus was exposed to radiation from a nuclear submarine and is reborn bigger, stronger, and meaner than ever. Godzillasaurus resembles a typical theropod but with a double set of teeth, which is later reflected in Godzilla from the Heisei series.



4. A Force of Nature.
Godzilla has been and always will be a force of nature. Looking at any of Godzilla's origin stories, he is still an animal. Transformed into a towering force, imbued with radioactive properties, and being the last of his kind, Godzilla faces a world that he can never be a part of. Acting like any animal would, Godzilla is merely defending his territory. He is neither good, nor bad, but a neutral force (this topic will be discussed in later days).

Friday, May 2, 2014

What is Godzilla?


How well do you know Godzilla? Answer the question below and tomorrow I will discuss the answers!
14 Days

Thursday, May 1, 2014

A Brief Introduction to Godzilla

A Brief History of Godzilla


Godzilla 2014
The original Godzilla was born in 1954 off the Bikini Atoll during a radiation blast. The citizens of Odo island considered it a god and prayed for the beast to go back to the depths from which it came. However, the beast destroyed ships and left radiation trails in its wake. After attacking Tokyo Bay and defeating the Japanese army, Dr. Serizawa creates the Oxygen destroy and sacrifices himself to kill the beast beneath the waves. Like, I said, this is a brief history of Godzilla.

Godzilla with his star, joining
Kermit the Frog & Mickey Mouse.

However, the history of Godzilla ranges 60 years, 29 movies, 2 animated series, incalculable collectibles, a star on the walk of fame, and a loyal fan base.  Who knew he would join the ranks of Kermit the Frog and Mickey Mouse as one of the worlds most beloved and well-known characters. When Americans were asked to fill out a survey of famous people they knew of from Japan, Godzilla was at the top of the list. His friends range from Mothra, the goddess of the Earth from Infant Island, Rodan, the flying terror, and Anguirus, the living ball of spikes. You can find his image on t-shirts, mugs, toilet paper dispensers (yes, you read that right), posters, watches, toys, rulers, candy, etc. While not even able to say a word or be understood, somehow Godzilla is able to connect with audiences of all ages.

Join us tomorrow for an in-depth look at what Godzilla is when we continue our countdown to the release the new Godzilla on the 16th.


15 days!